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Accident (1967)

Last night I watched Accident -- it's described in the movie poster as a love triangle between four people (not sure how that's possible) but it's even more complicated than that. It's actually a love "triangle" between six people.

*****

Stephen (Dirk Bogarde) - a middle aged philosophy tutor at Oxford, married with two kids and one on the way. Hopelessly in love with the foreign exchange student Anna.

Charley (Stanley Baker) - Stephen's best friend - a middle aged professor, married with three kids, sleeping with the foreign exchange student Anna.

William (Michael York) - an aristocratic student, one of Stephen's pupils. In love with Anna.

Rosalind (Vivien Merchant) - Stephen's wife.

Laura (Ann Firbank) - Charley's wife.

Anna (Jaqueline Sassard) - The foreign exchange student at the center of the love polygon.

*****

The movie opens with the sound of an awful car crash happening in the distance, while the camera focuses on Dirk Bogarde's house. He runs out to see what happened and finds William and Anna in the car. William is obviously dead, and Anna has minor injuries. The rest of the film is a flashback of how they all met and what led up to the accident.

The trailer for Accident:



I was incredibly excited to watch this film since I loved The Servant so much -- this was made with the same writer-director-actor team of Harold Pinter, Joseph Losey and Dirk Bogarde.

I really loved everything about this movie, especially Dirk Bogarde (obviously) but I have to say that the star of the film was Harold Pinter's script. The dialogue (and deliberate lack thereof- many, many awkward pauses) was absolutely superb. One of my favorite exchanges from the script:

Charley: [reading from learned journal] A statistical analysis of sexual intercourse at Kolenzo University, Milwaukee showed... that 70% did it in the evening, 29.9% between 2 and 4 in the afternoon and 0.1% during a lecture on Aristotle.

Aged Professor: I'm surprised to hear that Aristotle is on the syllabus in the State of Wisconsin. [imdb]

I just thought that was hilarious. The dialogue, even when oozing with sharp wit, was delightfully frank and real. Often the camera comes in when characters are already in mid-conversation, and leaves before the conversation has finished. The audience is left to deduce what was going on. To me, it was like the bits of conversations you hear when you're out -- maybe in a restaurant you hear two women whispering about their husbands, or a man walking down the sidewalk arguing about business matters on his cell phone. Both in real life, and in Accident, you don't know the full context and history of the people whose lives you're intruding on- you just get a small glimpse.

Every line of dialogue in Accident is fantastic, but often it's the scenes without any dialogue that pack the most punch. In one particular scene, Dirk Bogarde comes home drunk from a meeting in London to find Anna and Charley using his house for a rendezvous. He stares at them for a while, they exchange about two sentences, and then he walks into the kitchen to make scrambled eggs. The entire scene lasts about ten minutes but there couldn't have been more than ten sentences. Instead of giving us words to indicate what's going on, we're instead presented with the tense visual of Dirk Bogarde scrambling eggs in the foreground- obviously perturbed by the reality that his best friend is sleeping with the student that he is lusting after - while the lovers wait in the background. Words just aren't necessary.

One of the complaints that I read about this film before watching it was that there wasn't a single sympathetic character in the lot, but I actually found Dirk Bogarde's character to be very sympathetic. He can't be blamed for having feelings for his student - in one scene he looks like he's positively writhing in pain from the guilt. And his character was sweetly pathetic in many ways. While Anna flirts & succumbs to the advances of William & Charley, she never lets Dirk Bogarde lay a hand on her - the embarrassment he feels is almost palpable. He has a slight clumsiness throughout the film that should resonate with anyone who isn't a natural social butterfly.

When asked to join William and Anna on a little boat trip, he hesitantly agrees but is obviously uncomfortable the entire time, especially when he's aware that his arm is dangerously close to Anna's legs. He carefully raises his arms and tucks them under his armpits to avoid any accidental touching. The awkwardness of the situation is really enough to make you blush, as if it were happening to you.

I really thought this was a marvelous movie, but it is very 1960's and it's an acquired taste if you prefer the rapid-fire dialogue, clean innocence and shiny perfection of films from the 30's and 40's. You can watch the full film on YouTube here.

Also, Robert Leeming wrote an excellent review of Joseph Losey's work in England that includes some great insight into Accident - I highly recommend reading it before you watch the film.


Update:

I'm always anxious to read what other people have to say about a movie, but only AFTER I've written a post, since I don't want any of the other information seeping into what I want to write. I just finished reading some of the reviews on imdb and I just loved this one quote from a review, and had to share it:

"As Pinter said in a 1966 interview: "So in this film everything is buried, it is implicit. There is really very little dialogue, and that is mostly trivial, meaningless. The drama goes on inside the characters." In the published screenplay his directions for one scene indicate that "the words are fragments of realistic conversation. They are not thoughts..." and what comes across is the brilliant contrast between the nondescript, mundane, day-to-day attempts at communication between the characters combined with a hard look at the underlying reality of the characters' situations. Nothing is like it seems to be." - From commenter John Webber

Happy Birthday Joel McCrea

One of my favorite actors ever --
and my, was he handsome!

Happy Birthday Joel McCrea!

A Halloween Ode to Lionel Atwill

There are many people who come to mind on October 31st if you're a classic film fan-- primarily Boris Karloff, Bela Lugosi and Vincent Price. Maybe Lon Chaney, Jr., Val Lewton, and Hitchcock, too. But tonight, when the sun goes down, the lights are turned out and I'm ready to watch a film that will make my hair stand on end-- I'm turning to Lionel Atwill.

Lionel Atwill isn't usually associated with horror, probably because, unlike Bela Lugosi and Boris Karloff, he made so many films outside the genre that he isn't immediately linked to it. But just watch him in Doctor X and try to sleep with the lights off the same night. It's not possible.

Lionel Atwill starred in the original Mystery of the Wax Museum -- I know I'll probably be burned at the stake for mentioning this (on Halloween of all days, too!) but I really prefer his to the Vincent Price version. The huge selling point is the two-strip technicolor. This process was also used on Doctor X (in my opinion, the scarier of the two) and it gives both films a deathly, greenish pallor that makes them look like they were filmed in a morgue. Of course, the other selling point is Lionel Atwill-- his performances give creepy a whole new meaning.

What I love about his horror film characters is that he isn't playing a supernatural monster. You can turn your television off after Dracula, safe in the notion that a vampire will not be slipping through your window while you're asleep. But Lionel Atwill's characters are often mad scientists or crazy people who really could exist in real life. Walk down the wrong alleyway, and you could become the next victim in his crazy experiment!

While he was also very successful in other genres and roles, (most notably playing a ham actor in To Be or Not To Be) to me he'll always be my favorite horror movie villian- a real life monster whose presence on film makes my hair stand on end!

***

I had this all written up, and ready to post when I started looking for images of Lionel Atwill on the internet. Even though he usually plays kind of creepy men on screen, I always fancied that he was a reserved gentlemen in real life. He just seemed that way. Boy was I wrong! According to wikipedia & imdb (oh-so-reliable, you know) he was famous for throwing crazy parties, and was actually arrested after a Christmas party turned into an orgy with illegal pornographic movies being shown! Lionel! He wouldn't say who any of the guests were, so he was convicted of perjury and sentenced to five years probation. Because of the scandal, he was blacklisted and worked in b-movies until he died from pnemonia in 1946. Isn't that awfully sad?!

Elsa Lanchester

Today Elsa Lanchester would have been 107 years old. I know it's kind of cliche for me to paint her as the Bride of Frankenstein, but how could I pass up the opportunity to paint that hair?! Besides, it's kind of fitting what with Halloween coming up in a few days.

Personally, I love the characters she played when she got older -- in Mary Poppins as the fed-up nanny, in Bell Book and Candle as a wacky witch and in Witness for the Prosecution as Charles Laughton's nagging nurse. But I also like her earlier performances with Charles Laughton, like in The Big Clock and Tales of Manhattan.

Okay, to be honest, I love every movie she's in. She was a fantastic character actress and her presence in a film guarantees that you are in for an enjoyable movie experience!

The Mind Benders (1963)

I think that generally there are two kinds of films -- films that you watch and films that you experience. The Mind Benders is definitely the latter. And during a month when "scary" is defined as monsters and ghouls, this movie scared me out of my wits without one hint of the supernatural.

Conventional monster movies always give me the spooks, but I'm only really petrified when the terror in a film seems like it could actually happen - or when the main character is so dreadfully afraid in the film that you become just as afraid yourself. The Mind Benders deals with one of the most frightening experiences that man could suffer through- complete isolation. Isolation from sight, sound, touch, taste, smell and human contact. The experience is made so real, so absolutely horrifying that I actually felt sick to my stomach at one point. Now this might not seem like a selling point, but it is. I was so engulfed in this film that I want to pop the disc in my dvd player again tonight. I want to be with it again, to see it again. I'm not a sadist or anything- the film isn't torture. While it has it's unsettling moments, it is actually incredibly moving and really makes you think.

The film opens with an elderly scientist committing suicide by jumping off of a moving train. Next to his body they find a suitcase filled with cash, apparently the money he was given for leaking top-secret scientific information to the Communists. What seems like a simple open-and-shut case of treason is actually much, much more complicated. The scientist, Dr. Sharpey, was working on a disturbing project called Isolation in which he was attempting to find out what happens to the human brain when all of the senses are taken away. The guinea pigs in the study were Dr. Sharpey himself, and his colleague, Dr. Longman-- played by Dirk Bogarde.

Longman realizes that the only way to prove that Sharpey wasn't the kind of man who would commit treason is to show that once you go through "Isolation" you don't come out the same man. The only way to prove this is to go through Isolation himself. While the plot seems to be about espionage and proving someone's innocence, it really isn't. It's about what makes us human, and how fragile that something is.

I can't tell you how much I want to go into more detail about the plot and the twists, and how DB's character progresses throughout the film but I think that if I had known any of that before I watched it, the intensity of the movie would have definitely been blunted. You need to see this film fresh for the first time, with no preconceptions and no spoilers, in order to full appreciate it. One thing to look out for, though-- Dirk Bogarde's eyes before and after Isolation. They seem to get darker in color, but they don't. It's not a special effect; it's a cold, icy look -- and it is remarkable.

This was by far, hands down the best DB performance I've seen so far. I don't know how he didn't have a nervous breakdown while acting this part. He is so emotional and intense it is almost incomprehensible. When I first discovered DB back in August, I had no idea how much talent he had-- I thought he was a handsome, skilled actor and that I'd like to see more of his films. I am so glad that I followed through, because I think his might be the single best performance I've seen by an actor in my entire life. It was absolutely brilliant, and I think that it actually enriches my life to have seen him in this movie.

I loved this film so much (can you tell?) that I really wanted to write the most brilliant blog post ever about it, but I'm so tongue tied (or keyboard tied, as it were) that I can't express myself. Good films do this to me, they knock all of the wordiness out and just leave me gaping and staring at the screen. Since I watched it last night, I've gone to sleep, woken up, eaten breakfast, lunch and dinner, worked and had fun. But inside I am still gaping and staring at the screen. It has a hold on me and I think I need to watch it again tonight. I'm sorry, I mean I need to experience it.

***

Netflix has the film in its database, but it doesn't have it available to rent yet. You can buy it on amazon here or on ebay here. It's pretty cheap (about $4) and well worth every penny!!

Or if you're broke & desperate, email me and I'll make you a copy from my tape. I want everyone who's interested to see this movie, it's really one of the best films I've ever watched.

The "after Isolation" eyes

I took over 20 screenshots from the film--
to see the rest, click here.